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| # | Track title | Length | Find mp3 The Assent To Paradoxon |
|
|---|---|---|---|---|
Sense Geometry
|
|
67:07 | ||
| 1-01 |
Tetragons (Fig. 1)
|
|
7:46 | |
| 1-02 |
Triangles (Fig. 1) Inside Cylindric Channels
|
|
5:08 | |
| 1-03 |
Circles (Fig. 1)
|
|
4:32 | |
| 1-04 |
Abscissas System (Fig. 1) In Pentagonal Column
|
|
6:38 | |
| 1-05 |
Ellipsis Segments
|
|
5:54 | |
| 1-06 |
Triangles (Fig. 2)
|
|
7:03 | |
| 1-07 |
Circles (Fig. 2) In Tetragonal Structure
|
|
6:15 | |
| 1-08 |
Abscissas System (Fig. 2)
|
|
7:58 | |
| 1-09 |
Tetragons (Fig. 2)
|
|
6:33 | |
| 1-10 |
Chain Of Ellipsoid Figures
|
|
9:20 | |
|
Concert Industriel Pour Orgue
|
|
43:58 | ||
| 2-01 |
Part I. Ouverture
|
|
5:46 | |
| 2-02 |
Part II. Essai
|
|
12:31 | |
| 2-03 |
Part III. Intermède
|
|
7:39 | |
| 2-04 |
Part IV. Ensemble
|
|
18:02 | |
|
Symphony No. 4 "Descent From The Cross"
|
|
49:28 | ||
| 3-01 |
Part I. After Expiry
|
|
2:56 | |
| 3-02 |
Part II. Night Under The Cross
|
|
9:48 | |
| 3-03 |
Part III. The Descent
|
|
7:29 | |
| 3-04 |
Part IV. The Pass From Golgotha
|
|
10:51 | |
| 3-05 |
Part V. Entombment
|
|
8:22 | |
| 3-06 |
Part VI. Apotheosis
|
|
6:16 | |
| 3-07 |
Part VII. Marc VI / 16
|
|
3:46 | |
|
Exorcisms
|
|
67:12 | ||
| 4-01 |
Confiteor
|
|
4:56 | |
| 4-02 |
Paligenesis
|
|
7:23 | |
| 4-03 |
Ecce Crux
|
|
8:25 | |
| 4-04 |
Synaestheseum
|
|
8:49 | |
| 4-05 |
Quadrivia
|
|
6:52 | |
| 4-06 |
In Hoc Signo
|
|
7:51 | |
| 4-07 |
Averte !
|
|
9:18 | |
| 4-08 |
Essentia Quinta
|
|
6:35 | |
| 4-09 |
Ufarsin
|
|
7:03 | |
|
Les Scènes Ardentes
|
|
64:17 | ||
| 5-01 |
Introduction
|
|
4:13 | |
| 5-02 |
Adversaire
|
|
5:46 | |
| 5-03 |
Espaces Interdits
|
|
5:22 | |
| 5-04 |
Antischerzo
|
|
6:14 | |
| 5-05 |
Cris Du Feu
|
|
7:04 | |
| 5-06 |
Transfugue
|
|
5:53 | |
| 5-07 |
Orea Nexx
|
|
8:09 | |
| 5-08 |
Arc Extatique
|
|
4:41 | |
| 5-09 |
La Dernière Défense
|
|
9:17 | |
| 5-10 |
Sacrifice Au Irrationel
|
|
7:38 | |
|
Contemplatio Per Nexus
|
|
79:24 | ||
| 6-01 |
Part I. Contemplatio Per Negationem / Vestibulum - Obscuritas - Sitis - Tortio Sensuum
|
|
41:56 | |
| 6-02 |
Part II. Contemplatio Per Affirmationem / Oratio Quietis - Somnus Potentiarum - Coniunctio
|
|
37:28 | |
|
Nonterra
|
|
49:16 | ||
| 7-01 |
Ante Lucem
|
|
4:49 | |
| 7-02 |
Synapsis
|
|
2:54 | |
| 7-03 |
Nonterra
|
|
4:08 | |
| 7-04 |
Mécaniques D' État
|
|
4:40 | |
| 7-05 |
Advenit Orator
|
|
6:15 | |
| 7-06 |
Trabnsformation / Ulterior Act
|
|
4:39 | |
| 7-07 |
Isomorphe
|
|
3:07 | |
| 7-08 |
Chants Des Marquées
|
|
2:41 | |
| 7-09 |
Parahymnus
|
|
5:46 | |
| 7-10 |
Clausula Retis
|
|
2:59 | |
| 7-11 |
Transformation / Violent Act
|
|
7:18 |
| Styles of this album are: | Dark Ambient music Abstract music Industrial music Contemporary music Experimental music |
|---|---|
| Genres of this release are: | Electronic music Classical music |
| Released at: |
This album was released on the label
Ars Benevola Mater (catalog number ABM 34B)
This album was released in 2010-05-17 year. Italy
|
| First date of Copyright: | (C) 2010-05-17 |
| Composed By, Instruments [Synthesizers, Electronic Keyboards, Pianos, Digital Techniques], Vocals, Mixed By, Design [Cover] | Vladimír Hirsch |
| Design [Layout Photo] | Jan Vávra (2) |
| Mastered By | Dušan Vozáry |
| Mastered By | Jan Seibt |
| Mastered By | Vojtěch Haňka |
| Orchestra | Czech Integrated Ensemble |
| Producer | Tom Saivon |
| Vocals | Martina Sanollová |
| Vocals [Soprano] | Dominika Karčovská |
| Vocals, Lyrics By | Dove Hermosa |
