# | Cover | Release title | Total tracks | Download mp3 album | Release date | Label fo release |
---|---|---|---|---|---|---|
1 |
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Hafted Maul | 13 |
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1995-01-23 | Invisible |
2 |
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New Words Machine | 6 |
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1995-00-00 | |
3 |
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How Hollow Heart... | 5 |
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1997-01-21 | Invisible |
4 |
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...A Fire In The Bronx Zoo | 7 |
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1997-08-26 | Invisible |
5 |
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Piss Frond | 16 |
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1999 | Invisible |
6 |
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Frankie Pett Presents The Happy Submarines, Playing The Music Of Dead Voices On Air | 11 |
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2000 | |
7 |
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Live | 10 |
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2001 | Invisible |
8 |
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Shap | 21 |
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1996-00-00 | |
9 |
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Abrader | 3 |
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1994-03-15 | G.R.O.S.S. |
10 |
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From Labrador To Madagascar | 9 |
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2007-01-30 | Invisible |
11 |
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Fast Falls The Eventide | 22 |
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2009-09-15 | Lens Records |
12 |
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The Light Of June Drowned Flowers In Your Mouth | 5 |
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2009-11-00 | Brudenia |
13 |
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The Silent Wing | 8 |
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2010 | Tourette Records |
14 |
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From Afar All Stars Spark And Glee | 9 |
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2010-09-28 | Lens Records |
15 |
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Hafted Maul | 13 |
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1995 | Invisible |
16 |
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MzMzLaLaLa | 2 |
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2011-09-13 | Tourette Records |
17 |
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Michael And The Angels Fought | 5 |
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2011-11-01 | Lens Records |
18 |
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Flotsam | 9 |
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2011-12-04 | Lens Records |
19 |
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Pieta | 5 |
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2012-03-24 | Lens Records |
20 |
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The Blizzard Ring | 2 |
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2012-08-26 | Tourette Records |
21 |
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New Words Machine 2 | 11 |
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2012-02-01 | Lens Records |
22 |
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Pieta | 5 |
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2012-03-24 | Lens Records |
23 |
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Pieta | 5 |
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2012-03-24 | Lens Records |
24 |
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Pieta | 5 |
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2012-03-24 | Lens Records |
25 |
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Pieta | 5 |
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2012-03-24 | Lens Records |
26 |
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Pieta | 5 |
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2012-03-24 | Lens Records |
27 |
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Y Para Ba | 7 |
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2013-06-00 | Ultra-Mail Prod. |
28 |
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Y Para Be | 7 |
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2013-06-00 | Ultra-Mail Prod. |
29 |
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Y Para Ba | 7 |
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2013-06-00 | Ultra-Mail Prod. |
30 |
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Y Para Be | 7 |
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2013-06-00 | Ultra-Mail Prod. |
Dead Voices on Air (DVOA) is Mark Spybey's main musical project. It was formed in 1992 when he emigrated to Canada from his native England. Using improvisation and sound layering as a source for their music, DVOA blends processed sound from primitive instruments and toys into rhythmic structures or dark clusters of ambient sound. The result is music for the eyes. This is not ambient chill-out, nor is it music for wallpaper. It is organic, eclectic improvisation, cut up and spat out. Either framed into short pieces of music or rough blocks of noise. Panambience is the term coined that perhaps frames this approach most adequately.